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Metadata Standards for Cinematographic Works34.203.225.78

Relationships: An essential component of art and culture

From the TC 372 Workshop Compendium

Giving spice to metadata

Why do we add something to a collection of an archive, a museum, or a library? We do not add something because it weighs 3.5 kilograms, is of blue color, or is made of cardboard. We rather add it because it relates to something we know, and possibly, to other things in ways we still have to discover.

Tasse untertasse.jpg

http://commons.wikimedia.org/wiki/File:2006-10-15_Tasse%2BUntertasse-Pflaume01.jpg

Trash or treasure? It all depends on relationships.

Who drank from this cup? Was it someone important? Who was the previous owner? Is it a rare specimen or does it exist in thousands of exemplars? Who created the design and who manufactured it? Is it a specimen of an important artistic style?

And perhaps most importantly: was it used in the set decoration for a film?

Cidoc-crm-prop.png

From: Definition of the CIDOC Conceptual Reference Model, Version 4.2.5a. CIDOC CRM Special Interest Group, September 2008

A small excerpt from the list of relationships (referred to as properties in this context) from the CIDOC Conceptual Reference Model (CRM). Originally motivated by the requirements of museums, this model had (and continues to have) a profound impact on metadata activities throughout the cultural heritage sector.

The CIDOC CRM is an elaborate example of what is also known as a domain ontology.

Subject-rels.png

hasAsSubject is one of the relationships defined in EN 15907.

In its forward form, it says that something has something else as subject (i.e. is about the subject).

In its inverse form, it says that someting is the subject of something else.

Relationships with an inverse form are said to be asymmetric.

Sfi-music-piece.png

From: http://www.sfi.se/en-gb/Swedish-film-database/Item/?type=MUSIC&itemid=1688

Here is a record for a musical work as part of a filmographic database.

EN 15907 defines a HasOtherRelation element that can be used to relate cinematographic works to non-film works such as music.

Jazzgossen-rels.png

Musical works need to be performed in order to be useful in a film.

If a suitably detailed music database is available, then the cinematographic work can be linked to a performance.

If not, then the target for the uses music relationship can be described in plain text.

Jazzgossen-rels-2.png

Jazzgossen has another interesting relationship: it uses clips from an earlier film work starring Lars Hanson.

Thus we have an indirect relationship for at least one actor. This is sometimes referred to as transclusion.

Jazzgossen-rels-3.png

Using a clip from a pre-existing work does not mean that all properties of the included film become properties of the new work.

In this case, only some actors from the earlier film can be seen in Jazzgossen. The SFI database accounts for this by defining a compilation entity which is used to selectively associate persons and other entities with the compiled work.

The compilation entity can be modelled straightforwardly as a specialisation of an EN 15907 production event.

• • •

Relationships and the Web

Cultural heritage studies consist to a large part in elucidating relationships. To date, the World Wide Web has only been marginally useful for transforming relationships from printed prose into a navigable data space. To a machine, a hyperlink is just a jump target that leads from one document to another in an unspecified way. Can we do better?

Html-spec-1993.png

From: Tim Berners-Lee and Daniel Connolly: Hypertext Markup Language. Internet Draft, 1993. http://www.w3.org/MarkUp/draft-ietf-iiir-html-01.txt

Initially, in 1993, the Hypertext Markup Language (HTML) was designed with elements that would allow computers to distiguish between e.g. author, address, content, etc., and even between different kinds of links. As the Web began to grow, this idea did not catch on and HTML was used primarily as a text formatting language.

It took another decade before the idea of semantic tags and links started to spread.

Cimarron-dbpedia.png

From: http://dbpedia.org/page/Cimarron_%281960_film%29 accessed 12-Oct-2010

In 2009, the World Wide Web Consortium (W3C) started introducing a new facility for semantic linking in conjunction with version 5 of the HTML specification.

Termed RDFa, this HTML extension allows for expressing relationships according to the RDF data model. RDF is designated as the backbone for most of what is becoming known as the semantic web. Marked up using RDFa, factual statments can be extracted from text such that they can be transformed, queried, or used in inference chains.

Mapping-uni-hannover.jpg

"Modell zum Durchstoßverfahren der Perspektive nach Brunelleschi, gebaut nach den Darstellungen von Albrecht Duerer". http://www.aida.uni-hannover.de/aida/max/70~Forschung/Darstellungsgrundlagen/

Apart from telling what different things have to do with each other, relationship statements are also used to explain the degree and kind of similarity between things.

Similarity relationships are known as mappings, a term borrowed from mathematics. The activity of establishing such relationships is sometimes referred to as matching.

En15907-mnrels.png

Finally, these are the many-to-many relationships defined in EN 15907.

Entities shown in red are the domains to which the relationship is applicable. Entities shown in blue are those defined as the range of the relationship.

In Web-based user interfaces, relationships such as these will usually be presented as links leading to the target (i.e. the range element) of the relationship. Most many-to-many relationships also have inverse forms that will be used to navigate the data space in the reverse direction.

• Previous: Events in the lifecycle of an audiovisual creation • Up: Contents • Next: No entity without identity

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