Difference between revisions of "CEN TC 372 Workshop Series"
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The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16). | The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16). | ||
| − | Tha Paris workshop will include | + | Tha Paris workshop will include special sessions about the British Film Institute's efforts towards implementing the EN 15907 metadata model within a major revision of their filmographic database, the CNC's plans for a public filmography platform, and an update on recent work by the FIAF Cataloguing and Documentation Commission. |
Revision as of 12:38, 21 June 2011
A series of four workshops has been sponsored by the European Commission (DG Enterprise and Industry) in order to disseminate the results of CEN TC 372 standardization activities.
Materials from the Workshops are being continuously compiled into a TC 372 Workshop Compendium.
Contents
Rome, 25-27 October 2010
This event was hosted by Cineteca Nazionale, the Italian national film archive, and took place on the CSC film academy campus in Cinecittà. It was attended by over 30 participants from 17 countries. Presenters were Detlev Balzer, Ronny Loewy and Marco Rendina from the core TC 372 team, and Maria-Assunta Pimpinelli (Cineteca Nazionale) and Thelma Ross (Academy of Motion Picture Arts and Sciences), two key members of the FIAF Cataloguing and Documentation Commission.
Discussions during the Rome workshop revealed that there is considerable interest in representing relationships that refer to temporal sections of a moving image manifestation. Although this was considered during the standardisation process, it was not included in EN 15907:2010 due to concerns about excessive complexity of the specification. It may be included, however, in the reference implementation as a tentative feature awaiting standardisation in a future version of EN 15907.
Another area of particular interest to participants was the management of element vocabularies. Apart from few exceptions, controlled vocabularies are not in the scope of EN 15907. While some vocabulary can be supplied by the FIAF Cataloguing and Documentation Commission, most controlled terminology will have to be taken from suitable initiatives which will be determined in the course of the remaining workshops. Guest lectures on this subject are planned for the second workshop in April, 2011.
Copenhagen, 13-15 April 2011
This workshop was the second in a series of four dissemination events sponsored by the Enterprise and Industry Directorate of the European Commission. It was hosted by the Danish Film Institute in Copenhagen. Thirty participants from twelve countries attended the event.
Sessions beyond the core curriculum (again presented by Detlev Balzer, Ronny Loewy and Marco Rendina) were devoted to the filmographic vocabulary work done by the European Film Gateway (EFG) Workpackage 3 team. Francesca Schulze and Pernille Schütz reported about results from consolidating vocabulary and authority data from EFG partner archives, while Georg Eckes presented a general overview of the project status. EFG WP 3 is led by the Danish Film Institute.
Discussions repeatedly touched upon the implications of the metadata model for cataloguing. Another issue was that of heterogenous copyright policies among film archives regarding authority data and filmographic records, particularly in the light of the licensing strategy recently proposed by Europeana.
Prague, 25-27 May 2011
The third workshop took take place from Wednesday, May 25th to Friday, May 27th in the Bio Konvikt - Ponrepo (screening hall of the National Film Archive) in Prague, Czech Republic. It was attended by 22 participants from six countries.
This workshop included a special session by film restorer Anke Wilkening, presenting a case study of Fritz Lang's espionage drama Spione from 1928. Her presentation drew attention to the fact that film producers often make provisions for deriving versions for different market segments.
Several discussions during the workshop highlighted specific requirements arising form the description of unpublished audiovisual material. Some of these requirements also apply to television archives, where the focus is on media objects rather than on completed moving image works. It was concluded that one approach to resolving these issues could consist of letting the production event become a primary entity in the EN 15907 data model. Further discussion topics included ways of expressing degrees of uncertainty for individual metadata statements, sharing information about software tools, and prospects for continued collaboration within the filmographic metadata community.
Paris, 22-24 June 2011
The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16).
Tha Paris workshop will include special sessions about the British Film Institute's efforts towards implementing the EN 15907 metadata model within a major revision of their filmographic database, the CNC's plans for a public filmography platform, and an update on recent work by the FIAF Cataloguing and Documentation Commission.