How EN 15744 and EN 15907 came into being

From the TC 372 Workshop Compendium

Metadata about audiovisual media comes in many shapes. Depending on the usage context, it can focus on the physical or digital artefact, the public release, the artistic creation, the commercial product, the historical evidence, or whatever.

So far, only few efforts have been untertaken to integrate at least some of these contexts within a metadata specification.

Few guidelines and specification address the work of film archives directly. The FIAF rules were published in 1991. Encoding of elements follows ISBD, which is mainly a presentation syntax. A major revision based on the recently published RDA is in progress. MAVIS is the only major database application specifically designed for firm archives. It uses a detailed data model centered around two main entities: the content of a film and its carrier. The manufacturers of MAVIS went out of business in 2007. Most other cataloguing applications for film archives are client-specific configurarions of database or document management systems.

Most committee standards from the television sector have a strong focus on the digital production and distribution chain. Most TV broadcasters use these standards selectively, e.g. when supported by digital video production equipment and systems. In-house metadata specifications are common and some of them are highly complex data models.