CEN TC 372 Workshop Series - Revision history

Dbalzer at 08:25, 22 January 2012

2012-01-22T08:25:32Z

Dbalzer: /* Paris, 22-24 June 2011 */

2011-12-19T09:22:18Z

‎Paris, 22-24 June 2011

Dbalzer: /* Prague, 25-27 May 2011 */

2011-06-30T07:07:31Z

‎Prague, 25-27 May 2011

Dbalzer: /* Paris, 22-24 June 2011 */

2011-06-30T06:42:52Z

‎Paris, 22-24 June 2011

Dbalzer: /* Paris, 22-24 June 2011 */

2011-06-21T12:38:51Z

‎Paris, 22-24 June 2011

Dbalzer: /* Prague, 25-27 May 2011 */

2011-05-29T12:27:17Z

‎Prague, 25-27 May 2011

Dbalzer: /* Prague, 25-27 May 2011 */

2011-05-28T21:04:29Z

‎Prague, 25-27 May 2011

Dbalzer: /* Prague, 25-27 May 2011 */

2011-05-28T21:01:29Z

‎Prague, 25-27 May 2011

Dbalzer at 20:47, 28 May 2011

2011-05-28T20:47:46Z

Dbalzer: /* Paris, 22-24 June 2011 */

2011-05-23T06:37:28Z

‎Paris, 22-24 June 2011

← Older revision		Revision as of 08:25, 22 January 2012
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	This workshop, organised by the Instituto Valenciano de la Cinematografía Ricardo Muñoz Suay (IVAC) in collaboration with CEN/TC372, Deutsches Filminstitut, Aribsan, and the Filmoteca Española, was targeted at a Spanish-speaking audience. The majority of participants came from the regional film and audiovisual media archives in Spain.		This workshop, organised by the Instituto Valenciano de la Cinematografía Ricardo Muñoz Suay (IVAC) in collaboration with CEN/TC372, Deutsches Filminstitut, Aribsan, and the Filmoteca Española, was targeted at a Spanish-speaking audience. The majority of participants came from the regional film and audiovisual media archives in Spain.
		+
		+	[[File:Valencia-2011-q+a.jpg\|thumb\|500px\|center\|Q & A session at the Valencia workshop, December 2011]]

	In addition to the TC 372 standards curriculum, this workshop comprised four complementary sessions. Assumpció Estivill Rius, professor of library science at the University of Barcelona, gave an overview of the deliberations that led to the creation of the highly influential IFLA FRBR reference model. Miguel del Valle Inclán, head of the documentation services at the Filmoteca Española, reported on the current state of a project intended to create an Iberoamerican union catalogue of film archive holdings. Oscar Berrendo Pérez, director of the Iberoamerican ISAN agency (ARIBSAN), explained the registry system for the ISAN identifier scheme and reported on its state of adoption. Mari Sol Perez Guevara from the Audiovisual and Media Policy Unit of the European Commission presented results of recent surveys of how film archives respond to the challenges of the digital age, and outlined the Commission's current thinking about safeguarding the European audiovisual heritage.		In addition to the TC 372 standards curriculum, this workshop comprised four complementary sessions. Assumpció Estivill Rius, professor of library science at the University of Barcelona, gave an overview of the deliberations that led to the creation of the highly influential IFLA FRBR reference model. Miguel del Valle Inclán, head of the documentation services at the Filmoteca Española, reported on the current state of a project intended to create an Iberoamerican union catalogue of film archive holdings. Oscar Berrendo Pérez, director of the Iberoamerican ISAN agency (ARIBSAN), explained the registry system for the ISAN identifier scheme and reported on its state of adoption. Mari Sol Perez Guevara from the Audiovisual and Media Policy Unit of the European Commission presented results of recent surveys of how film archives respond to the challenges of the digital age, and outlined the Commission's current thinking about safeguarding the European audiovisual heritage.

← Older revision		Revision as of 09:22, 19 December 2011
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	Discussions during this workshop repeatedly touched upon the question of how to organise the creation and maintenance of type and relationship vocabularies required for enabling semantic interoperability between implementations of the EN 15907 standard.		Discussions during this workshop repeatedly touched upon the question of how to organise the creation and maintenance of type and relationship vocabularies required for enabling semantic interoperability between implementations of the EN 15907 standard.
		+
		+	==Valencia, 14-16 December 2011==
		+
		+	This workshop, organised by the Instituto Valenciano de la Cinematografía Ricardo Muñoz Suay (IVAC) in collaboration with CEN/TC372, Deutsches Filminstitut, Aribsan, and the Filmoteca Española, was targeted at a Spanish-speaking audience. The majority of participants came from the regional film and audiovisual media archives in Spain.
		+
		+	In addition to the TC 372 standards curriculum, this workshop comprised four complementary sessions. Assumpció Estivill Rius, professor of library science at the University of Barcelona, gave an overview of the deliberations that led to the creation of the highly influential IFLA FRBR reference model. Miguel del Valle Inclán, head of the documentation services at the Filmoteca Española, reported on the current state of a project intended to create an Iberoamerican union catalogue of film archive holdings. Oscar Berrendo Pérez, director of the Iberoamerican ISAN agency (ARIBSAN), explained the registry system for the ISAN identifier scheme and reported on its state of adoption. Mari Sol Perez Guevara from the Audiovisual and Media Policy Unit of the European Commission presented results of recent surveys of how film archives respond to the challenges of the digital age, and outlined the Commission's current thinking about safeguarding the European audiovisual heritage.

← Older revision		Revision as of 07:07, 30 June 2011
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	Several discussions during the workshop highlighted specific requirements arising form the description of unpublished audiovisual material. Some of these requirements also apply to television archives, where the focus is on ''media objects'' rather than on completed moving image works. It was concluded that one approach to resolving these issues could consist of letting the ''production event'' become a primary entity in the EN 15907 data model. Further discussion topics included ways of expressing degrees of uncertainty for individual metadata statements, sharing information about software tools, and prospects for continued collaboration within the filmographic metadata community.		Several discussions during the workshop highlighted specific requirements arising form the description of unpublished audiovisual material. Some of these requirements also apply to television archives, where the focus is on ''media objects'' rather than on completed moving image works. It was concluded that one approach to resolving these issues could consist of letting the ''production event'' become a primary entity in the EN 15907 data model. Further discussion topics included ways of expressing degrees of uncertainty for individual metadata statements, sharing information about software tools, and prospects for continued collaboration within the filmographic metadata community.
		+
		+	For a more detailed coverage of the Prague workshop, read Erwin Verbruggen's [http://blog.euscreen.eu/?p=1736 blog post on the EUscreen website].

	==Paris, 22-24 June 2011==		==Paris, 22-24 June 2011==

@@ Line 37: / Line 37: @@
 ==Paris, 22-24 June 2011==
-The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16).
+The fourth and last workshop in this series took place in Paris on 22-24 June, 2011 and was hosted by the Centre national du cinéma et de l'image animée (CNC). This event included three special sessions, all of which provided outlooks on what to expect from on-going activities in the field of filmographic metadata.
-Tha Paris workshop will include special sessions about the British Film Institute's efforts towards implementing the EN 15907 metadata model within a major revision of their filmographic database, the CNC's plans for a public filmography platform, and an update on recent work by the FIAF Cataloguing and Documentation Commission.
+[[File:Paris-2011-participants.jpg|thumb|500px|center|Participants at the Paris workshop, June 2011]]

← Older revision		Revision as of 12:38, 21 June 2011
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	The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16).		The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16).

−	Tha Paris workshop will include a special ~~session~~ about the British Film Institute's efforts towards implementing the EN 15907 metadata model within a major revision of their filmographic database.	+	Tha Paris workshop will include special sessions about the British Film Institute's efforts towards implementing the EN 15907 metadata model within a major revision of their filmographic database, the CNC's plans for a public filmography platform, and an update on recent work by the FIAF Cataloguing and Documentation Commission.

@@ Line 28: / Line 28: @@
 The third workshop took take place from Wednesday, May 25th to Friday, May 27th in the Bio Konvikt - Ponrepo  (screening hall of the National Film Archive) in Prague, Czech Republic. It was attended by 22 participants from six countries.
-This workshop included a special session presented by film restorer Anke Wilkening who presented a case study of Fritz Lang's espionage drama ''Spione'' from 1928, drawing attention to the fact that film producers often make provisions for deriving versions for different market segments.
+This workshop included a special session by film restorer Anke Wilkening, presenting a case study of Fritz Lang's espionage drama ''Spione'' from 1928.
 [[File:Workshop CEN Praha 2011 6.jpg|thumb|500px|center|Presenters and participants at the Prague workshop, May 2011]]

@@ Line 32: / Line 32: @@
 [[File:Workshop CEN Praha 2011 6.jpg|thumb|500px|center|Presenters and participants at the Prague workshop, May 2011]]
-Several discussions during the workshop highlighted specific requirements arising form the description of unpublished audiovisual material. Some of these requirements also apply to television archives, where the focus is on ''media objects'' rather than on completed moving image works. It was concluded that one approach to resolving these issues could consist of letting the ''production event'' become a primary entity in the EN 15907 data model. Further topics included ways of expressing degrees of uncertainty for individual metadata statements, information on software tools, and prospects for continued collaboration within the filmographic metadata community.
+Several discussions during the workshop highlighted specific requirements arising form the description of unpublished audiovisual material. Some of these requirements also apply to television archives, where the focus is on ''media objects'' rather than on completed moving image works. It was concluded that one approach to resolving these issues could consist of letting the ''production event'' become a primary entity in the EN 15907 data model. Further discussion topics included ways of expressing degrees of uncertainty for individual metadata statements, sharing information about software tools, and prospects for continued collaboration within the filmographic metadata community.
 ==Paris, 22-24 June 2011==

← Older revision		Revision as of 06:37, 23 May 2011
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	==Paris, 22-24 June 2011==		==Paris, 22-24 June 2011==
		+
		+	The fourth and last workshop in this series is scheduled for 22-24 June, 2011 and will take place at the Centre national du cinéma et de l'image animée (CNC) in Paris (12 rue de Lübeck, 75784 Paris Cedex 16).