Description levels: A worked example - Revision history

Dbalzer at 15:03, 22 June 2011

2011-06-22T15:03:59Z

Dbalzer at 12:33, 20 May 2011

2011-05-20T12:33:08Z

Dbalzer at 12:32, 20 May 2011

2011-05-20T12:32:26Z

Dbalzer at 06:45, 10 May 2011

2011-05-10T06:45:34Z

Dbalzer: xml links

2011-05-10T06:44:03Z

xml links

Dbalzer at 21:52, 4 April 2011

2011-04-04T21:52:24Z

Dbalzer at 21:48, 4 April 2011

2011-04-04T21:48:17Z

Dbalzer at 21:07, 4 April 2011

2011-04-04T21:07:50Z

Dbalzer: moved Description levels: An example to Description levels: A worked example

2011-04-04T20:21:07Z

moved Description levels: An example to Description levels: A worked example

Dbalzer at 20:20, 4 April 2011

2011-04-04T20:20:38Z

@@ Line 15: / Line 15: @@
 This short piece is a '''trailer'''.
-For the moment, we will ignore the question if a trailer can be regarded as a version or variant of the work which it advertises, or if it is something entirely different.
+A trailer is usually regarded as a work in its own right, rather than a version or variant of the work which it advertises.
 This trailer just serves to '''give us an idea of the work''' that will be discussed in the following.

@@ Line 104: / Line 104: @@
 | width="810px" style="background-color:#F0F0F0" |
 References and Materials: I Vitelloni
 * [http://www.snc.it/ct_cat_film.jsp?area=20&ID_LINK=28&csc-title=vitelloni&csc-direction=&csc-year=&btnSearch=Cerca Record for circulation copy at Cineteca Nazionale]
 * [http://ftvdb.bfi.org.uk/sift/title/56815 Record from the British Film Institute's SIFT database]

@@ Line 105: / Line 105: @@
 References and Materials: I Vitelloni
 * [http://bonzo:schnarch@www.ace-film.org/jef/search/display_f.php?UID=IT53146 Italian record from the JEF database]
 * [http://www.snc.it/ct_cat_film.jsp?area=20&ID_LINK=28&csc-title=vitelloni&csc-direction=&csc-year=&btnSearch=Cerca Record for circulation copy at Cineteca Nazionale]
 * [http://ftvdb.bfi.org.uk/sift/title/56815 Record from the British Film Institute's SIFT database]

@@ Line 45: / Line 45: @@
 The figure on the left gives an idea of what a minimum work-level description could look like.
-Here is the [http://filmstandards.org/demo/xml/001/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/001/v.php?f=/demo/xml/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/001/vitelloni_01_v.html resulting HTML] page.
+Here is the [http://filmstandards.org/demo/xml/001/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/001/v.php?f=/demo/xml/001/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/001/vitelloni_01_v.html resulting HTML] page.
 |}

@@ Line 45: / Line 45: @@
 The figure on the left gives an idea of what a minimum work-level description could look like.
-Here is the [http://filmstandards.org/demo/xml/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_01_v.html resulting HTML] page.
+Here is the [http://filmstandards.org/demo/xml/001/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/001/v.php?f=/demo/xml/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/001/vitelloni_01_v.html resulting HTML] page.
 |}
@@ Line 83: / Line 83: @@
 Anticipating that we may want to distinguish between variants of this film work, we can '''insert a default Variant''' entity and associate our manifestation(s) with this.
-Here is the [http://filmstandards.org/demo/xml/vitelloni_03.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view3.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_03_v.html resulting HTML] page.
+Here is the [http://filmstandards.org/demo/xml/001/vitelloni_03.xml XML record], the [http://filmstandards.org/demo/xml/001/v.php?f=/demo/xml/001/view3.xsl transformation script], and the [http://filmstandards.org/demo/xml/001/vitelloni_03_v.html resulting HTML] page.
 |}
@@ Line 97: / Line 97: @@
 This is what the Cineteca Nazionale publishes about their circulation copy of I Vitelloni.
-And [http://filmstandards.org/demo/xml/vitelloni_04_v.html here is] what we can make of this information (including some educated guesses) in an EN 15907 metadata representation.
+And [http://filmstandards.org/demo/xml/001/vitelloni_04_v.html here is] what we can make of this information (including some educated guesses) in an EN 15907 metadata representation.
 |}

@@ Line 125: / Line 125: @@
 * [http://www.filmweb.pl/film/Wa%C5%82konie-1953-30936/posters Posters and DVD covers from filmweb.pl]
 * [http://www.filmposter-archiv.de/filmplakat.php?id=13979 Undated German re-release poster]
 |}

← Older revision		Revision as of 21:48, 4 April 2011
Line 84:		Line 84:

	Here is the [http://filmstandards.org/demo/xml/vitelloni_03.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view3.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_03_v.html resulting HTML] page.		Here is the [http://filmstandards.org/demo/xml/vitelloni_03.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view3.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_03_v.html resulting HTML] page.
		+	\|}
		+
		+	{\| style="float: right; border: 1px solid #BBB; margin: .46em 0 0 .2em;"
		+	\|-
		+	\| valign="top" width="405px" \|[[File:Item-at-snc.png\|400px]]<br />
		+	<span style="font-size:8pt">
		+	</span>
		+
		+	\| valign="top" width="405px" \|
		+	Finally, we may wish to include information about a '''copy''' as an '''instance of the manifestation'''.
		+
		+	This is what the Cineteca Nazionale publishes about their circulation copy of I Vitelloni.
		+
		+	And [http://filmstandards.org/demo/xml/vitelloni_04_v.html here is] what we can make of this information (including some educated guesses) in an EN 15907 metadata representation.
		+	\|}
		+
		+	{\| style="float: right; border: 1px solid #BBB; margin: .46em 0 0 .2em;"
		+	\|-
		+	\| width="810px" style="background-color:#F0F0F0" \|
		+	References and Materials: I Vitelloni
		+	* [http://bonzo:schnarch@www.ace-film.org/jef/search/display_f.php?UID=IT53146 Italian record from the JEF database]
		+	* [http://sdk:fglrx51@www.dbalzer.de/sdk-irfe/front.php?sstr=vitelloni Records from two German databases]
		+	* [http://www.snc.it/ct_cat_film.jsp?area=20&ID_LINK=28&csc-title=vitelloni&csc-direction=&csc-year=&btnSearch=Cerca Record for circulation copy at Cineteca Nazionale]
		+	* [http://ftvdb.bfi.org.uk/sift/title/56815 Record from the British Film Institute's SIFT database]
		+	* [http://www.imdb.com/title/tt0046521/ Record from the Internet Movie Database (IMDb.com)]
		+	* [http://www.filmweb.pl/film/Wa%C5%82konie-1953-30936 Record from filmweb.pl, a Polish syndication of IMDb]
		+	* [http://filmstandards.org/media/bne-marc-5338.txt MARC record for a Spanish DVD edition from BNE]
		+	* [http://filmstandards.org/media/abes-isbd-vitelloni.txt ISBD record for a French video edition from ABES/SUDOC]
		+	* [http://dbpedia.org/page/I_Vitelloni Record from dbpedia: RDF rendered as HTML table]
		+	* [http://www.cnc.fr/Site/Template/A2.aspx?SELECTID=20&ID=21&cnc=1954005401&visa=14053&pageSelected=1&t=1 French <i>commission de classification</i> record from CNC]
		+	* [http://gso.gbv.de/DB=2.1/CHARSET=UTF-8/IMPLAND=Y/LNG=DU/SRT=YOP/TTL=1/COOKIE=D2.1,E65be7910-3ff,I0,B9000%20%20%20%20%20%20,SY,A%5C9008%20J,,1,,U,,4,,7,,M,H6-11,,16-17,,21,,30,,73-75,,77,,88-90,NKVK%20WEBZUGANG,R129.13.130.211,FN/SET=1/SHW?FRST=8&COOKIE=U999,K999,D2.1,E65be7910-3ff,I0,B9994++++++,SY,A\9008+J,,1,,U,,4,,7,,M,H13-15,,17-23,,30,,73-78,,88-90,NGAST,R212.60.22.107,FN Copy of Italian home video edition in a German library]
		+	* [http://www.cinemacontext.nl/id/F021297 Dutch distributor and and rating event from Cinema Context]
		+	* [http://www.criterion.com/current/posts/336-i-vitelloni-a-trip-to-the-station Essay by Tom Piazza published on the Criterion website]
		+	* [http://www.criterion.com/films/966-i-vitelloni U.S. DVD edition in the Criterion sales catalogue]
		+	* [http://gso.gbv.de/DB=2.1/CHARSET=UTF-8/IMPLAND=Y/LNG=DU/SRT=YOP/TTL=1/COOKIE=D2.1,E65be7910-3ff,I0,B9000%20%20%20%20%20%20,SY,A%5C9008%20J,,1,,U,,4,,7,,M,H6-11,,16-17,,21,,30,,73-75,,77,,88-90,NKVK%20WEBZUGANG,R129.13.130.211,FN/SET=1/SHW?FRST=4&COOKIE=U999,K999,D2.1,E65be7910-3ff,I0,B9994++++++,SY,A\9008+J,,1,,U,,4,,7,,M,H13-15,,17-23,,30,,73-78,,88-90,NGAST,R212.60.22.107,FN Copies of U.S. DVD edition in a union catalogue of German libraries]
		+	* [http://www.spio.de/fskonline%5CPDF%5C0607%5C11455VDVDUMD.pdf Rating certificate for a German DVD edition]
		+	* [http://www.moviemail-online.co.uk/film/dvd/I-Vitelloni/ U.K. DVD edition in a mail order catalogue]
		+	* [http://ftvdb.bfi.org.uk/sift/title/56815?view=transmission TV broadcasts in the U.K. from the BFI database]
		+	* [http://www.imdb.com/title/tt0046521/business U.S. box office revenues from IMDb.com]
		+	* [http://www.filmweb.pl/film/Wa%C5%82konie-1953-30936/posters Posters and DVD covers from filmweb.pl]
		+	* [http://www.filmposter-archiv.de/filmplakat.php?id=13979 Undated German re-release poster]
		+
	\|}		\|}

← Older revision		Revision as of 21:07, 4 April 2011
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	Here is the [http://filmstandards.org/demo/xml/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_01_v.html resulting HTML] page.		Here is the [http://filmstandards.org/demo/xml/vitelloni_01.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view1.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_01_v.html resulting HTML] page.
		+	\|}
		+
		+	{\| style="float: right; border: 1px solid #BBB; margin: .46em 0 0 .2em;"
		+	\|-
		+	\| valign="top" width="405px" \|[[File:Bnf-worklevel.png\|400px]]<br />
		+	<span style="font-size:8pt">
		+	</span>
		+
		+	\| valign="top" width="405px" \|
		+	This is an equivalent of a work-level record from the Bibliothèque nationale de France. In library cataloguing, such records define a '''uniform title''' to be used in describing manifestations that may have been published with a different title (e.g. translations of the work).
		+
		+	Note that the French title is given here as ''Les Vitelloni'', which differs from most other French sources.
		+	\|}
		+
		+	{\| style="float: right; border: 1px solid #BBB; margin: .46em 0 0 .2em;"
		+	\|-
		+	\| valign="top" width="405px" \|[[File:Vitelloni-manifestation.png\|400px]]<br />
		+	<span style="font-size:8pt">
		+	</span>
		+
		+	\| valign="top" width="405px" \|
		+	Very often, an elementary description of a film work also contains some basic information about the '''initial release''', usually referred to as the "original" version.
		+
		+	In EN 15907, this kind of information falls into the '''manifestation''' level.
		+	\|}
		+
		+	{\| style="float: right; border: 1px solid #BBB; margin: .46em 0 0 .2em;"
		+	\|-
		+	\| valign="top" width="405px" \|[[File:Vitelloni-view3.png\|400px]]<br />
		+	<span style="font-size:8pt">
		+	</span>
		+
		+	\| valign="top" width="405px" \|
		+	EN 15907 allows manifestations to be directly associated with a cinematographic work, or via a '''variant''' level.
		+
		+	Anticipating that we may want to distinguish between variants of this film work, we can '''insert a default Variant''' entity and associate our manifestation(s) with this.
		+
		+	Here is the [http://filmstandards.org/demo/xml/vitelloni_03.xml XML record], the [http://filmstandards.org/demo/xml/v.php?f=/demo/xml/view3.xsl transformation script], and the [http://filmstandards.org/demo/xml/vitelloni_03_v.html resulting HTML] page.
	\|}		\|}

← Older revision	Revision as of 20:21, 4 April 2011
(No difference)

← Older revision		Revision as of 20:20, 4 April 2011
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		+	''From the [[TC 372 Workshop Compendium]]''
		+
	Description levels do not only offer new ways for user interaction with filmographic databases, but can also ecenomise the production of metadata.		Description levels do not only offer new ways for user interaction with filmographic databases, but can also ecenomise the production of metadata.