Difference between revisions of "TC 372 Workshop Compendium"

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* "[[No entity without identity]]". Where philosophers can help.
 
* "[[No entity without identity]]". Where philosophers can help.
 
Analysing audiovisual metadata
 
Analysing audiovisual metadata
* [[Description levels: An example]].
+
* [[Description levels: A worked example]].
* Agent and event: Further examples.
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* [[Agent and event: Further examples]].
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* [[Approaching the subject of a film work]]
 
Things must have names (even though EN 15907 doesn't supply them)
 
Things must have names (even though EN 15907 doesn't supply them)
* Common pitfalls in vocabulary selection.
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* [[Common pitfalls in vocabulary selection]].
* Where to look for suitable element vocabularies.
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* [[Where to look for suitable vocabularies]].
* Titles and proper names: Why some conventions are more useful than others.
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* [[Titles and proper names]]: Why some conventions are more useful than others.
Representing variants and manifestations: practical issues
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Working from secondary and from original sources
* Working from original sources: Some prepared examples (I)
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* [[Example: Pancéřové Auto / Das Panzerauto]]
Representing complex lifecycles of film works
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* [[Example: Die freudlose Gasse]]
* Working from original sources: Some prepared examples (II)
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* [[Example: The Illegals]]
 
Expressing relationships
 
Expressing relationships
* Clarifying the seemingly obvious: Cast and credits.
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* [[Clarifying the seemingly obvious: Cast and credits]].
* Relating artefacts with events: Is this still filmography?
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* [[Relating artifacts with events]]: Is this still filmography?
* Relationships with objects in other databases: Taking the internet seriously.
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* [[Relationships with objects in other databases]]: Taking the internet seriously.
 
Usage scenarios for EN 15907
 
Usage scenarios for EN 15907
* In-house usage scenarios
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* [[In-house usage scenarios]]
* Filmographic information in the ocean of data
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* [[Filmographic information in the ocean of data]]

Latest revision as of 18:26, 6 December 2011

Audiovisual metadata: What it is and why it matters

Obstacles to interoperability and approaches to overcome them

Some elements of a metadata model

Analysing audiovisual metadata

Things must have names (even though EN 15907 doesn't supply them)

Working from secondary and from original sources

Expressing relationships

Usage scenarios for EN 15907