Difference between revisions of "TC 372 Workshop Compendium"

From filmstandards.org

 
(12 intermediate revisions by the same user not shown)
Line 12: Line 12:
 
* [[Description levels: A worked example]].
 
* [[Description levels: A worked example]].
 
* [[Agent and event: Further examples]].
 
* [[Agent and event: Further examples]].
 +
* [[Approaching the subject of a film work]]
 
Things must have names (even though EN 15907 doesn't supply them)
 
Things must have names (even though EN 15907 doesn't supply them)
 
* [[Common pitfalls in vocabulary selection]].
 
* [[Common pitfalls in vocabulary selection]].
* Where to look for suitable element vocabularies.
+
* [[Where to look for suitable vocabularies]].
 
* [[Titles and proper names]]: Why some conventions are more useful than others.
 
* [[Titles and proper names]]: Why some conventions are more useful than others.
Representing variants and manifestations: practical issues
+
Working from secondary and from original sources
* Working from original sources: Some prepared examples (I)
+
* [[Example: Pancéřové Auto / Das Panzerauto]]
Representing complex lifecycles of film works
+
* [[Example: Die freudlose Gasse]]
* Working from original sources: Some prepared examples (II)
+
* [[Example: The Illegals]]
 
Expressing relationships
 
Expressing relationships
* Clarifying the seemingly obvious: Cast and credits.
+
* [[Clarifying the seemingly obvious: Cast and credits]].
* Relating artefacts with events: Is this still filmography?
+
* [[Relating artifacts with events]]: Is this still filmography?
* Relationships with objects in other databases: Taking the internet seriously.
+
* [[Relationships with objects in other databases]]: Taking the internet seriously.
 
Usage scenarios for EN 15907
 
Usage scenarios for EN 15907
* In-house usage scenarios
+
* [[In-house usage scenarios]]
* Filmographic information in the ocean of data
+
* [[Filmographic information in the ocean of data]]

Latest revision as of 18:26, 6 December 2011

Audiovisual metadata: What it is and why it matters

Obstacles to interoperability and approaches to overcome them

Some elements of a metadata model

Analysing audiovisual metadata

Things must have names (even though EN 15907 doesn't supply them)

Working from secondary and from original sources

Expressing relationships

Usage scenarios for EN 15907